Despite the fact that he had built a flourishing practice in the village, Charles was willing to sacrifice all for Emma's welfare.
This learned doctor recommended a change of scene for the sake of Emma's health, since it was evidently a nervous disorder and she complained so much of disliking Tostes.
None of Charles' worried efforts to cure her were successful, and he took her to Rouen, to see the medical professor under whom he had studied. Sometimes she was very active, sometimes lethargic and slovenly, sometimes nervous and stingy, sometimes capricious and temperamental, but always she was unpredictable and difficult to get along with. She was sullen and rarely spoke to Charles.Īs her condition became even worse, Emma's moods began to fluctuate between extreme forms of behavior. Most of her time was now spent staring down from her window at the village street. She seemed to cultivate her unhappiness and self-pity by concentrating on her unattainable aspirations, and by finding so little with which to occupy herself. She was often sad and lonely, and during the long winter her plight became worse. Emma's despair became more intense when she finally was forced to realize that there would be no further invitations to the chateau, and in her depression she gave up her music, sketching, and other pursuits. The reality of life at Tostes became unbearable to her, and she was even more critical of Bovary.Īt first Emma attempted to add little touches of elegance to her humdrum life, such as fancy lampshades and silver, but this soon became an unsatisfactory solution to her craving, even though it pleased Charles. Much of her time was spent planning imaginary trips, adventures, secret meetings, and visits to the theater or opera. She read novels and travel books voraciously and studied maps of the city. She visualized life in the capital as a constant round of balls, parties, amours, and other exciting things. Emma buried herself in her fantasies and dreamed of living in Paris, among the nobility.
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